Moscow native Elena Zamolodchikova specialized in historical keyboard performance at the Moscow Tchaikovsky Conservatory and at Julliard. She has performed in Russia, the US, Italy, Germany, and Norway, collaborating with such prominent colleagues as William Christie, Christopher Hogwood, Monica Hugett, and Nicholas McGegan. She participated in the first Moscow concert performance of Le Devin du Village, Jean–Jacques Rousseau’s 1752 opéra–intermède, played in the first Zuckermann Harpsichords Music Festival, and recently recordedEl Puente de las Almas, a new two–harpsichord work by Jose Bevía, with colleague Aymeric Dupré la Tour. She is artist–in–residence and an action technician at Zuckermann Harpsichords and organist/pianist at First Congregational Church, Westbrook, CT.
